Unrequited love and melodrama collide to make L’Arlésienne a must watch season opener. Propelled by Bizet’s intensely passionate music, conducted by Mark Elder, with all the on stage action in a new translation by Jeremy Sams.

Bizet’s music achieves his trademark colour by weaving in traditional Provençal tunes. Its evocative soundworld paved the way for Bizet’s last and greatest work, the opera Carmen. Although best known through the concert suites for full orchestra, this performance will restore the composer’s original orchestration, with the 26 musicians becoming as much a part of the drama as the actors on stage. Bizet’s score demonstrates his flare for colourful orchestration, imitating local instruments such as the tambourin and galoubet, and includes one of the earliest appearances of the recently invented saxophone in an orchestra.